Susan Springer Anderson

Art life and Art work by Susan Springer Anderson

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    Meet Peter/Paul, Louis & James

    Three new lines of journals have been christened and added to the etsy shop today. I once knew a wonderful Irene, however, after this weekend's run-in with the storm, I'm sorry to say that name will never grace one of my journals. So, let me introduce you to the new additions that have been added.

    Meet "Peter, Paul and Pocket": a pocket sized (in numerous colors) journal with its own pocket that can stash your metro card, coffee money or any other small necessities for your day. A great little piece to keep you collected and organized. http://www.etsy.com/listing/80606842/blank-leather-journal-with-exterior

    Next in the line up, "James", the rugged brother to the Gloria. Cut from a hide that has been distressed, this leather is not for the faint of heart. You may get your vampire on and find yourself feeling drawn to sink your teeth into this journal with its rich, thick, savory scent. Stylish, light and functional, these handy journals/mini sketchbooks are suited for every urban cowhand. http://www.etsy.com/listing/80601134/brown-leather-journal-blank-pocket-sized...

    And last but not least, named after a clever renaissance man, the "Louis."  "The Louis" is a journal for the true renaissance individual. Record notes for your next play, invention or simply the grocery list. Cut from a rich, rough and tumbled leather cowhide, one sniff makes you feel the urge to start gnawing on the edges of this notebook. Please don't, it's not waterproofed.

    Featuring two signatures (sewn sections) of 60 pages each, 120 all together (or 240 if you count front to back). The pages are ruled with a light blue to keep you in line (no margin), and features a slightly embossed line, for tactile enjoyment. For all you multi-taskers: the two signature design allows you to work in two portions of the journal at the same time, while still keeping your topics or projects clearly organized. Also handy, is the fact that you can fold the journal back on itself to make it easy for taking notes in small elbow spaces. The design also allows the book to lie completely flat when opened.

    A hand-stitched lace wraps around the cover and tucks neatly under itself to keep your pages safe and secure.http://www.etsy.com/listing/80602300/leather-journal-lined-cedar-red-brown

    All available for order AND customization at www.thedelicateutility.etsy.com

    • 29 August 2011
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  • Susan Springer Anderson's Space

    My work explores and examines the different layers of the human experience and our interactions with both the natural and constructed worlds around us through the assemblage of a variety of repurposed materials. The pieces explore universal themes of healing and memory, as well as significant geographical and emotional locations. Driving each work is the desire to discover unexpected beauty and significance in the common materials of our daily lives.

    I employ handcrafting methods to create a wire armature. I then sew and weave common items, such as coffee filters, maple leaves, paper towels or grapevines, into a new and surprising fabric that sometimes functions as a skin for the body forms, sometimes as clothing, and sometimes as both at the same time. I utilize these alternative materials, often destined for disposal or decay, in order to reclaim them and give them a new identity, holding their temporary character in tension with an idea of longevity, leaving in question which will win out in the end.

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  • About Susan Springer Anderson

    My work explores and examines the different layers of the human experience and our interactions with both the natural and constructed worlds around us through the assemblage of a variety of repurposed materials. The pieces explore universal themes of healing and memory, as well as significant geographical and emotional locations. Driving each work is the desire to discover unexpected beauty and significance in the common materials of our daily lives.

    I employ handcrafting methods to create a wire armature. I then sew and weave common items, such as coffee filters, maple leaves, paper towels or grapevines, into a new and surprising fabric that sometimes functions as a skin for the body forms, sometimes as clothing, and sometimes as both at the same time. I utilize these alternative materials, often destined for disposal or decay, in order to reclaim them and give them a new identity, holding their temporary character in tension with an idea of longevity, leaving in question which will win out in the end.

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